Anita Arliss in “Nature Calls”

July 7th, 2010

New York native Anita Arliss who transplanted to Atlanta will be returning to the North to participate in the show “Nature Calls” at SICA, the Shore Institute of the Contemporary Arts in Long Branch, New Jersey. The show is curated by D. Dominick Lombardi and includes numerous other artists and many mediums all dealing with the magnificent force of nature. A reception will be held Sunday, July 11th from 3-6 pm and the entire show will hang July 9-August 20. Anita Arliss has worked in Atlanta for years and has a permanent installation at the Heartsfield-Jackson International Airport. More information on her solo show at the WM Turner Gallery running between December 2nd and January 7th will be available later so stay tuned.

Joseph Nechvatal strives for an Immersive Intelligence

June 23rd, 2010

Towards an Immersive Intelligence is Joseph Nechvatal’s most recent publication discussing the new hypothetical “viractual” realm.  Robert Morgan reviewed the book and consolidated the rather intensive discussion for the rest of us to more easily digest.

To avoid unnecessary complexity, the subtitle of this impressive and provocative tome, though relatively minimal in its length (94 pages), gives us a literal transcription of what is to follow, that is: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality, 1993-2006. Frankly, I don’t think the subtitle is necessary. The author makes his point without a prolegomena. To suggest that this is a seminal book in a new or renewed field of inquiry is an understatement. Nechvatal has done nothing less than put critical theory at the threshold of virtuality, what the author synthetically claims is the juncture of evolution where the virtual and the actual will find their own homeostasis in what he refers to as “viractual.”

- Robert C. Morgan.

The entire review of the book can be found on The Brooklyn Rail, and is available for purchase through Amazon.

John Morse: FLAT OUT

June 9th, 2010

Wm Turner gallery Presents:
John Morse
FLAT OUT

May 27  - June 19, 2010

Reception with artist’s talk
Saturday June 12, 6-9:00pm
Artist’s talk 7:00pm:
Seeing What Isn’t There

At Wm Turner Gallery

112 Krog St, suite 9, Atlanta, GA

UPROOTED

June 3rd, 2010

UPROOTED is a photography show exhibiting 12 artists in Atlanta. The exhibiting artists include Deanne Andrus, Katherine Cooper, Dave Greer, Lauren Hughes, Jenny James, Aleya Malacane, Allison Neckman, Stephanie Pharr, Andrew Pruett, Cassie Robinson, Matthew Walker, and Chasity West. The opening will feature musical guest Lily and the Tigers, and food will be provided by chef Todd Ginsberg of Bocado, it is sure to be an amazing night. The opening will be held on Thursday June 3, from 6-9pm, and it the show will be up through June 10. UPROOTED is located in Atlantic Station next to Dillards.

Creative Loafing ‘Time and Place’

April 7th, 2010

Joeff Davis’ camera captured our installation by John Morse in it’s new home at the Dynamic Metal Lofts on Edgewood Avenue.

Creative Loafing ‘Time and Place’

Joeff Davis photography

Joeff Davis photography

Forever Young

July 28th, 2009

JacQueline Sanchez
“Forever Young”

July 30th – August 22nd, 2009
Opening champagne reception with the artist:
Thursday, July 30th, from 6 to 9 p.m.

“So many adventures couldn’t happen today

So many songs we forgot to play

So many dreams swinging out of the blue

We let them come true.”

-From “Forever Young,” by Alphaville


Do What You Love
One of the things I love about being an artist is knowing that in a small way I’m bringing a bit of joy to people’s lives. My work, particularly the Forever Young line, which is made with Legos and dia-monds, has an innocence that makes people smile. Our world is so frenetic and at times feels so com-plicated. It’s easy to forget the simple things that bring happiness. I feel like my work has a childlike quality that brings people’s guard down. I love going to shows because I get to meet great people who are curious about my work. I feel a connection to my customers and many times they become friends. I’ve gone to many of the weddings of people whose engagement rings I’ve designed. It’s meaningful to me to be a part of those moments and create something special and unique for people.
Design Philosophy Simple, modern craftsmanship with a flourish of whimsy.  Favorite Jewelry Making Tool  My flex shaft - couldn’t live without it.

Favorite Material Diamonds are a girl’s (or, indeed, a guy’s!) best friend. Platinum is challenging to work with but the results are worth the extra work.

Artistic Freedom Twyla Tharp said that art is the only way to run away without leaving home. From an early age I knew I had a lot of creativity to channel. Making jewelry has given me a way to live and a means to make a living. Two very different things and I’m grateful for both. Color While I design several distinct collections, Forever Young certainly uses the most color with Legos in so many vibrant, juicy colors. I hope my work encourages people to be a bit more playful with their style. One bold, beautifully-designed piece of jewelry in a bright color is a good place to start taking chances! Shape Most of my work, from the Forever Young line to the Mokume-Gane and Photo Etched lines, really seeks to push the boundaries of shape and pattern. I love creating a flawless line and then giving the piece balance with an unexpected element or interpretation of pattern. A Sense of Completion I feel the best when I’ve finished a piece for a client and it’s tucked away in the box awaiting deliv-ery! Mastery of Craft A master jeweler I worked with taught me that if you are talking to a client about custom work and you’re not sure how to create what they want, you should keep it to yourself - don’t express your doubts. Just take the leap, trusting in your ability to figure it out. I’ve learned the most and gained the most confidence in my art by taking chances even when I wasn’t sure I knew what I was doing.

The Lego Lady I started the Forever Young line for fun and really had no idea of the potential going in. It resonates with such a range of people, from architects and people who love design, new moms, young boys ex-cited about their first pair of cuff links! Customers share their stories from the past and children who are still playing with Legos get excited. It’s one of those things so many people can relate to and it’s gratifying to get such wonderful feedback on a regular basis. At the Baltimore American Craft Coun-cil show, the clients call me “the Lego Lady.”

JacQueline Sanchez Jewelry Design handcrafts playful, elegant wearable modern art using artisanal methods. Each piece of jewelry from the JacQueline Sanchez studio is created with a passion for de-sign and the highest standards in craftsmanship and durability.  JacQueline is the recipient of an achievement award from the American Craft Council and her signa-ture “Forever Young” collection continues to win numerous awards and accolades.

REDUX

July 1st, 2009

REDUX
Review of French Inspiration
Caterina Verde, Matthew Rose, Bernard Matussière, Joseph Nechvatal, Keith Donovan

July 2 – July 8

Soft Opening July 2nd
6:00-9:00

The Wm Turner gallery presents a soft opening of all works currently held by the gallery. Being a new gallery, some have missed the opportunity to see some of the artists presented by the gallery thus far. Come see the works before some have to make a trip overseas. Kick off your July 4th weekend with a toast and some great art!

Liberté, égalité, fraternité

Matthew Rose Strikes Again

May 7th, 2009

Matthew Rose is again on this side of the Atlantic. This time at the SOMA gallery in Cape May, NJ.

‘Confessions, Obsessions & Indiscretions’ is the title of his latest show. Mr. Rose once again makes collage with collage with this wall-to-wall show. Elements of ‘The End of the World’ show at the Wm Turner gallery back in September, as well as others are featured, but the installation of the nearly 1000 collage works highlights Matthew’s view of politics, sex, death and just about anything else he has swimming around in his head. He inundates us with his perspective, and we love it. Good luck on the show, Matthew.

You can download a print quality pdf of the poster here:

http://homepage.mac.com/mistahcoughdrop/FileSharing53.html

Also, check out the New Jersey Life interview by Patti Verbanas.

Works from ‘The End of the World’ show are currently on display the the Wm Turner gallery as well. Just in case you can’t get to Jersey this weekend.

10,000 Apologies

May 7th, 2009

As a less than artful writer, I tend to be a bit fanatic on giving credit where it is due. Therefore it pains me to point out that I failed to credit the writer of the previous post concerning Joseph’s Viral Symphony.

To make right here is a link to Continuo’s weblog. Check it out. A FANTASTIC music blog full of weird and wonderful things.

Joseph Nechvatal’s Viral Symphony

May 1st, 2009

Many have expressed great interest in the music that accompanies Joseph’s exhibition. Here it is for download.

01-viral-symphony2

02-viral-symphony-2nd-mvt-murmurin2

03-viral-symphony-3rd-mvt2

04-viral-symphony-4th-mvt2

05-post-mortem2

Total time 1h 40mn
Composed 2006-2008

Joseph Nechvatal: sound sources & synthesizer
Matthew Underwood: sound processing
Andrew Deutsch: sound processing
Stephane Sikora: programming
Jane Smith: voice (recorded 1985)
Kevin Harkins: synth on 4th Mvt & PostMortem

“A founding member of the Tellus Audio Cassette Magazine, Joseph Nechvatal (b1951) famously curated two noise compilations for Tellus in 1986 and 1988. He composed an opera called XS: The Opera Opus (1984-5) with Rhys Chatham. His visual and sound works since then has been concerned with ‘viral’ techniques, ie: computer-assisted complex structures, heavily processed material, unwanted input corrupting the media and a general self-annihilation of the artist as composer/painter. The computer is summoned to create the art in the same way the Golem was raised by Rabbi Löw to create the myth. Viral Symphony’s First Movement was published on CD in 2006 by The Institute for Electronic Arts. The rest of the symphony is derived from this 1st Mvt in variously processed textures. The 2nd and 3rd Movements include the voice of Jane Smith reading from Ovid’s Metamorphosis, an apt metaphor for a Symphony dealing with permanent mutability, in as much as the perpetually morphing sound particles are used as the very structure of the work. While the 1st Mvt is a cornucopia of noisy, aleatoric electronic debris in the ‘garbage in, garbage out’ tradition, the remaining movements are more ambient affairs in which compositional mystery and sonic restraint create tension and captivates the listener. It seems the electronic sounds were refined after the nth re-processing and when reaching the 4th Mvt it’s become a mere distant static. The processed vocal parts sounds like early radio transmissions, and I personally envisionned Ezra Pound on conversation on Italian Radio or a BBC broadcast during the 1930s, while he was working on his 2 radio operas. In the last 2 movements, the input of Kevin Harkins on Midi sounds brings a neo-gothic touch to the music thanks to his endless cello and piano arpeggios. PostMortem is the most poignant part of the Symphony, its processed sounds slowly recessing in the background leaving room to sadness and emptyness. PostMortem appears for the first time on the web thanks to the generosity of Joseph Nechvatal. The very nature of the Viral Symphony indicates there will be additional movements soon and the ‘Complete’ set is presented as is, prior to further re-processing.”